Hawaii Five-0 - Season 9 Episode 18 - Ai no i ka 'ape he mane' no ko ka nuku Steve McGarrett returns home to Oahu, in order to find his father's killer. DullTech is a hardware startup and performative artwork concurrently. Created as a form of radical corporate publishing in an age of high efficiency capitalism, it creates technologically simplified or 'dull' products in order to distribute artworks in tribute to the late Ray Johnson. Initiated during a 2012 OCAT residency in Shenzhen China, with the company's motto 'neoliberal startup lulz', most products relate to production processes in the artist's studio. The company has exhibited in the Stedelijk Museum Bureau Amsterdam, HMKV Dortmund, Transmediale Berlin and the White Building in London.
Sam Smith currently lives and works in London. Upcoming exhibitions include 'Ways of Looking', Gallery of Contemporary Art, E-WERK, Freiburg; and Glasgow International 2016 at The Telfer Gallery. Recent projects include Centro de Artes Visuais, Coimbra; Screen Space, Melbourne; De Appel Arts Centre, Amsterdam; Australian Centre for Moving Image, Melbourne; Sandefjord Kunstforening and Larvik Kunstforening, Norway; Jupiter Woods, London; and insitu, Berlin (all 2015); KW Institute for Contemporary Art, Berlin; The Artists' Film Biennial, Institute of Contemporary Arts, London; The Royal Standard, Liverpool; and Künstlerhaus Bethanien, Berlin (all 2014). He is currently part of 'Objects from the Temperate Palm House' at Bargain Spot, Edinburgh.
When the urn goes missing, Alaric, Hope, Josie, Lizzie, Kaleb, Dorian and Emma hit the road to locate the artifact before the next Malivore creature arrives. Meanwhile, Lizzie takes aim at Hope for all the past spring breaks she's ruined. Finally, the group bands together when a town-wide quarantine threatens to expose their supernatural identities.
Bob Bicknell-Knight (b. 1996, Suffolk, UK) is a London-based artist and curator working in installation, sculpture, video and digital media. Using found objects and tools made readily available by the internet, as well as drawing from a unique sensibility influenced by participation in online communities and virtual games, Bicknell-Knight's work explores the divergent methods by which consumer capitalist culture permeates both online and offline society. Utopian, dystopian, automation, surveillance and digitization of the self are some of the themes that arise through Bicknell-Knight's critical examination of contemporary technologies.
Nora Hansen (1986) graduated from MFAProgram at KunstakademieDuesseldorf in 2014 and moved to London 2015 where she met Yoko. Her work has been exhibited internationaly in solo and group projects including shows at GOLDSMITHSGALLERY, London, GoodForever, Düsselorf, Manifesta 9, Genk, Stadtgalerie Bern and Museum of Modern Art Arrecife.
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